NAB Roundup 2013: LED Fresnels, Camera Accessories

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I first wrote about the development of LED Fresnel lights two years ago, tracking earlier reactions by the industry to high energy consumption and high heat output: “Greening the Film Business: LED Fresnels.” This year I followed up with some of the same manufacturers.

Fresnel lenses, originally invented for lighthouses, have long been used on movie lights for careful light control and sharp shadows. Their typical concentric ring style enables them to have great diameter without clumsy thickness.

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NAB Roundup 2013: Cameras

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Las Vegas is known for its buffets, and the NAB Show at the Vegas Convention Center is a grand smorgasbord of technology.

The floor exhibits fill over 800,000 square feet. 92,000 attendees crowd around 1500 exhibitors showing the latest products and services in TV and radio broadcasting, film and video production and postproduction, cloud computing, entertainment technology, file-based workflows, 3D visuals, and pro audio.

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NAB 2012 Preview

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I’m winging to Las Vegas for a couple of days to attend the NAB Show, the annual technical meeting and equipment show of the National Association of Broadcasters.

In particular, I’m interested to see the latest digital cinema cameras, some recently released, some newly announced this week.

I’m especially intrigued by an excellent summary in nofilmschool.com, which compares the newest digital cameras by resolution and price. And as always, I’ll also be looking at new camera accessories and lighting gear at the show. Watch for more reports coming up soon!

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NAB 2011: Greening the Film Business—LED Fresnel Lights

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It’s a vicious cycle in the film business. We use scads of energy to light our sets, usually trying to make them look as natural as possible, then we use scads of energy to cool them. If we can reduce the power required for lighting, we can save money two ways.

In the olden days of production, when I was starting out in the business, most movie lights (except for big arc lights) had tungsten or quartz lamps.

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NAB 2011: Digital Cinema Camera Shootout

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During the recent NAB Show in Las Vegas, I attended a panel discussion and screening of a series of tests called the Single Chip Camera Evaluation. The SCCE shootout, produced by an independent, ad hoc group named Image Quality Geeks, compared 11 single-chip digital cinema cameras, along with two 35mm film emulsions. These extensive tests, designed for “apples-to-apples” comparisons, provided a comprehensive look at the following cameras.

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NAB 2011: Back to Vegas

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The first time I went to the NAB Show, I wore camouflage fatigues and marched through hippies. I was working the show for Ampex, the television equipment company that had invented videotape. During the 80s, they were buying Sony professional video camera parts, assembling them in Ampex factories, and branding and marketing them as their

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NAB 2011: Show Preview

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The National Association of Broadcasters annual trade show takes place next week at the Las Vegas Convention Center.

I’ll be there for a couple of days to check out the new cameras, among other things, and I’ll post several reports from there.

Here are some announced/rumored items I’ll be taking a close look at:

A prototype for the next (and most advanced) addition to Sony’s Cine Alta line, a new camera for digital cinematography with a sensor greater than 4K. Jon Fauer, in an article in Film and Digital Times, says the new camera will shoot from 1-72 fps in normal mode, and 1-120 fps in High Frame Rate mode.

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