Eerie Times at USP

In Brazil, our story was based in Ribeirao Preto, (pronounced something like “HEE-bay-roan PRAY-toe,” though all Brazilians laughed at our attempts to say it) a city of a half million, three or four hours inland from Sao Paulo. Our final shoot was at the local campus of the Universidade de Sao Paulo. In search of […]

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Continental Drift

I’m hunkering down at home right now after a three-week trip through Europe and South America to shoot a global corporate medical film. Our route took four of us — and 13 cases of video and audio gear — drifting through the Netherlands, Switzerland, Germany, and Brazil. Plus one day shooting here in the San

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Taming the Wild Eyeline

If the eyes truly are the windows to the soul, don’t we want to see them when we ask someone to be thoughtful, frank, and honest? Don’t we want to look into their eyes — and have them look into ours — to see if they’re telling the truth?

When I’m shooting interviews on video or film, the subject often asks whether to look directly into the lens, or off to one side at the interviewer. Worst case is when he or she doesn’t know where to look and glances about wildly, desperately seeking eye contact and approval, and appearing to all the world like a shifty-eyed no-goodnik. This can cause even unsophisticated audiences to mistrust the person they’re watching.

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Shooting into the Void: PBS Science Series “Closer to Truth”

Presidents and paupers, musicians and moviemakers, actors and athletes, writers and regular Joes: I’ve shot hundreds and hundreds of interviews, perhaps thousands, sometimes 25 or more in a single day. But shooting for “Closer to Truth,” the PBS science series on “Cosmos, Consciousness, and God,” presents a unique challenge.

Start with the quest for a dramatic but natural lighting look, while shooting two people talking, with two cameras. Then add the factor that both cameras are moving constantly. Because the cameras will see more than 180 degrees of background during their slow journeys around the room, there’s nowhere to place stands for backlights. And front light just won’t do: flat and boring, out of the question.

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The Bus to Maitencillo

Christmas Eve on the other side of the planet, and we had just missed our bus. Raw chicken was thawing in my backpack as we trudged along la Alameda in Santiago’s 85-degree heat, through throngs of late shoppers and sidewalk vendors, from one bus station to another. Susan and I were visiting our son Danny,

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