I shot a one-day HD job this week for a Silicon Valley company … in Paris. Another shoot with two Canon 5D Mark II cameras, mine plus one belonging to the production company.
All in all, I was in the air about 22 hours, and on the ground for about 48. I did have a couple of hours to prowl around through the heart of Paris on our arrival day with my camera and director Dan Smith.
Prowling Through Paris Read More »
I chuckled when I came upon this sign recently in my travels.
As I thought it over later, however, I wondered if the sign was granting permission or issuing a warning. Guess I’ll never know for sure.
Permission or Warning? Read More »
Busy week. Lotsa time in the air:
Last Monday—Fly SFO to Washington/Dulles
Tuesday—One-day shoot near Dulles airport
Wednesday—Fly Dulles to SFO
Thursday—Breathe, pant
Friday—Scheme, pack
Saturday—Depart SFO to Paris
Sunday—Arrive Paris
Monday—One-day shoot in Paris
Tuesday—Fly Paris to SFO
Today—Breathe, pant, blog
Mastering jetlag is the only way I can get through periods like these. It’s an imperfect science at best
Sky Jockey: Conquering Jetlag Read More »
I’ve been a filmmaker and writer for most of my life, but I’ve never written a film. There was no screenplay writing class at Stanford when I was in film school there, for some reason, and I never caught the bug.
Now, however, Julian Hoxter, my colleague in the Cinema Department at San Francisco State University, has published a wonderful book called Write What You Don’t Know: An Accessible Manual for Screenwriters. I can feel my life starting to change.
Write What You Don’t Know Read More »
News from Townsend 11, the writing collective I’ve belonged to for years, here in San Francisco:
First: Volume 1 of our new book series, No Fixed Destination: Eleven Stories of Life, Love, Travel, was originally published in July as a Kindle book. But now we have made it available at most e-book stores.
Next: Volume 2 of the series, No Set Boundaries: Eleven Stories of Life, Misadventure, will be published in a few days on the Kindle Store, and through other e-Book outlets a few weeks later.
Townsend 11: Volume 1 Now in More Stores, Volume 2 Due Out Soon Read More »
Less than an hour after my last post (Brazil: Some Days the Bear Eats You), my friend The Dave Mitchell responded on my Facebook page: “Nice, Bill. Easy days are completely forgettable.” Isn’t that the truth?
“But,” added The Dave, a freelance gaffer/key grip, “I’m available if you’ve got any coming up.” If only!
After our tough time at the tower, the next couple of days shooting in Brazil were smooth as silk.
Brazil: Smooth as Silk Read More »
On my first day in Brazil, I visited the rental house with Mush and Heeka. I brought my Canon 5D, a slew of lenses and two GoPro cameras with me from the States, but we’ve arranged to rent a second 5D camera body, two tripods, a small monitor, a wide angle lens, and some accessories
Brazil: Visiting the Rental House Read More »
On my first trip to Brazil in 1993, I was shooting for a Japanese high-tech company. We arrived in Sao Paulo and went out to scout at our client’s manufacturing facility nearby. We met with the general manager of the company, a Brazilian who was impressed by this visit from corporate headquarters. “What can I
For the past few weeks, I’ve been working with other authors in my writing group, passing through final stages of publication for our first e-Book … Drumroll !! …
Available NOW at Amazon’s Kindle Store:
No Fixed Destination: Eleven Stories of Life, Love, Travel
This collection of 11 personal essays, memoirs, and true stories from Townsend 11, a group of award-winning writers, takes readers on emotional journeys and adventures from California to Croatia to China and back, Ethiopia to Egypt, England to New England, and Hawaii to Hot Springs, Arkansas.
My Writing Group Has Published a Book of Stories—No Fixed Destination, by Townsend 11 Read More »
Shooting handheld for documentary, commercial, musical, and even dramatic films can challenge, vex, frustrate, exhaust, and exhilarate—often all at once. Handholding the camera lets you improvise angles quickly, stick the camera in places a tripod can’t reach, or float with innovative, flowing moves difficult to duplicate from a dolly. And if you’re tall like me, throwing the camera on your shoulder enables you to see over crowds at news events, rallies, shows, and parties.
The first movies were filmed from tripods and later from rolling dollies.
Handy-Looky: Shooting from the Hip … and the Shoulder Read More »
This Seagull right-angle viewfinder offers great flexibility of camera angles for my Canon 5D Mark II, but only when shooting stills. It’s solidly made, sharp, lightweight, inexpensive (about one-third the cost of the equivalent Canon product), and includes the unique Usage Manual below.
Seagull Right-Angle Viewfinder’s Unique Usage Manual Read More »
“Pinch me,” says Susan as we cross the Seine from the Left Bank to face the sun-drenched Gothic towers of Notre Dame. “I can’t believe we’re back here.”
We peel off jackets and join the throngs of tourists and worshippers outside the Cathedral. Despite the lyrics of the Cole Porter song — “I love Paris in the summer, when it sizzles” — it’s only April, but the temperature this afternoon sizzles near 80.
We’ve visited Paris at earlier stages of our lives …
Paris When It Sizzles Read More »
The collision was so violent that, for a moment, I feared he was dead, then paralyzed. But Giants catcher Buster Posey started to move almost immediately, clawing the dirt in agony, and I knew he had sustained a devastating injury.
Posey was hit on a play at the plate in last week’s second game between the Giants and Florida Marlins, when substitute Scott Cousins, who had entered a tie game as a pinchhitter in the 12th inning, attempted to score after tagging up at 3rd base on a shallow fly ball out.
Blowing Up the Catcher: Buster Posey and the Clean Play Club Read More »
It’s a vicious cycle in the film business. We use scads of energy to light our sets, usually trying to make them look as natural as possible, then we use scads of energy to cool them. If we can reduce the power required for lighting, we can save money two ways.
In the olden days of production, when I was starting out in the business, most movie lights (except for big arc lights) had tungsten or quartz lamps.
NAB 2011: Greening the Film Business—LED Fresnel Lights Read More »
A young boy rides his Big Wheels tricycle around the empty lobby of an old resort hotel as the camera follows close behind, low to the ground, the sound grating and tense as the trike runs noisily onto the hardwood floor, then over a rug, then onto the floor, then over a rug, around and around.
The boy’s father, haunted and demented by months of isolation, chases his wife with a knife, up and down a circular staircase. Later he chases an apparition through an eerily lit hedge maze in the snow.
NAB 2011: Mr. Brown’s Marvelous Machine: Garrett Brown & Steadicam Read More »
At a climactic moment in a rock video, the camera moves in on the guitar strings, bringing us closer and closer to the fingers of the player, then impossibly close, then we slip past the strings and enter the hole in the guitar.
In a movie about Las Vegas, the camera looks up from deep in the well of the craps table as the dice come tumbling by us, very close, and very large. In a gangster movie, the camera sits on the velvet surface of a pool table and looks up at the rack of balls, just as the cue ball comes crashing in.
In a road chase, the camera speeds along, crazily close to the ground, then passes unscathed under three vehicles. In another scene in a bowling alley, the camera hurtles down the lane toward an inevitable collision with the pins.
NAB 2011: Innovision Read More »
During the recent NAB Show in Las Vegas, I attended a panel discussion and screening of a series of tests called the Single Chip Camera Evaluation. The SCCE shootout, produced by an independent, ad hoc group named Image Quality Geeks, compared 11 single-chip digital cinema cameras, along with two 35mm film emulsions. These extensive tests, designed for “apples-to-apples” comparisons, provided a comprehensive look at the following cameras.
NAB 2011: Digital Cinema Camera Shootout Read More »
This report on new professional digital video cameras (introduced at or just before this month’s NAB Show) is continued from the previous post.
NAB 2011: More Cameras Read More »
Manufacturers showed tons of new gear of all kinds at this month’s NAB Show in Las Vegas. Because my time at the show was limited, I focused primarily on new professional digital video cameras.
Some of these cameras were also involved in a 12-camera shootout — the Single Chip Camera Evaluation, a screening presented by Image Quality Geeks. More on this soon. Over the next two posts, I’ll preview a number of impressive new cameras introduced at or just before this NAB.
The first time I went to the NAB Show, I wore camouflage fatigues and marched through hippies. I was working the show for Ampex, the television equipment company that had invented videotape. During the 80s, they were buying Sony professional video camera parts, assembling them in Ampex factories, and branding and marketing them as their
NAB 2011: Back to Vegas Read More »
The National Association of Broadcasters annual trade show takes place next week at the Las Vegas Convention Center.
I’ll be there for a couple of days to check out the new cameras, among other things, and I’ll post several reports from there.
Here are some announced/rumored items I’ll be taking a close look at:
A prototype for the next (and most advanced) addition to Sony’s Cine Alta line, a new camera for digital cinematography with a sensor greater than 4K. Jon Fauer, in an article in Film and Digital Times, says the new camera will shoot from 1-72 fps in normal mode, and 1-120 fps in High Frame Rate mode.
NAB 2011: Show Preview Read More »
Yesterday afternoon I attended a preview of the new Sony Super 35 PMW-F3 camera, presented by Snader & Associates and hosted by Videofax at their new rental facility in San Francisco. Reps from Sony and from Snader, who sells the camera, were on hand to present the camera’s features and specs, and three F3s with
Sony F3 Camcorder Preview Read More »
Winners of the Fifth Annual Solas Awards for Best Travel Story of the Year were announced February 28 on BestTravelWriting.com, by the editors of Travelers’ Tales.
I’m pleased that my story “Wrecks and Pissers: The Bombay-Pune Road” has won a Bronze Certificate in the category “Destination: The best story about a place that captures its essence and reveals its attractions, making the reader want to go there.”
“Wrecks” is a funny story about my travels in India a few years ago. It certainly captures some of India’s essence. I’m not sure it makes you want to go there, but who am I to quibble? You be the judge.
‘Wrecks and Pissers’ Wins Travel Writing Award Read More »
This is the 2nd in a series of posts about useful iPhone apps for film and video production. In the beginning, directors and photographers framed their shots with two hands, spreading thumbs and forefingers at right angles, then raising them together to define a rectangle. Simple and cheap. Analog and infinitely adjustable. But inaccurate for
Production APPtitude: Artemis Director’s Viewfinder Read More »
