Bill Zarchy

Townsend 11 Publishes Volume 2: No Set Boundaries

By /

Townsend 11 has published Volume 2 of our new e-book series—No Set Boundaries: Eleven Stories of Life, Travel, Misadventure.

For several years now, I’ve belonged to this collective of eleven writers (including one who lives in Barcelona). We meet monthly in a converted brick warehouse on Townsend Street in San Francisco.

In our second book, No Set Boundaries: Eleven Stories of Life, Travel, Misadventure, you can witness a Catalan ritual in Barcelona, shop the Italian way, freeze on an English beach, deal with prejudice in Ethiopia, backpack down a frightening road in Cambodia, rest in a California garden, and glide along on a French canal. You’ll learn about a bent zucchini that’s not a vegetable, try to help lost travelers, break a leg on a mountain trail, and dash through an ancient city in India.

Townsend 11 Publishes Volume 2: No Set Boundaries Read More »

Traffic Study: Timelapse with GoPro & 5D

By /

The amazing little GoPro HDHero cameras can record full 1080p HD video, as well as timelapse and single shots. They’re tiny and easy to rig anywhere, as in the setup below where we used them on a corporate shoot, mounting six on laptops for a video chat, instead of the built-in iSight cameras.

But camera movement is where the GoPros shine. The HDHero comes with helmet mount, auto mount, body mount, or wrist mount, with both waterproof and non-waterproof housings. I recently bought the HDHero camera, helmet rigging, suction cup for autos, tiny clip-on LCD monitor, extra batteries and clip-on battery pack.

In Timelapse mode on the GoPros, you can only control the interval between shots (2, 5, 10, 30, or 60 seconds). Everything else is automatic—shutter, aperture, video gains, etc.

Traffic Study: Timelapse with GoPro & 5D Read More »

Prowling Through Paris

By /

I shot a one-day HD job this week for a Silicon Valley company … in Paris. Another shoot with two Canon 5D Mark II cameras, mine plus one belonging to the production company.

All in all, I was in the air about 22 hours, and on the ground for about 48. I did have a couple of hours to prowl around through the heart of Paris on our arrival day with my camera and director Dan Smith.

Prowling Through Paris Read More »

Sky Jockey: Conquering Jetlag

By /

Busy week. Lotsa time in the air:

Last Monday—Fly SFO to Washington/Dulles
Tuesday—One-day shoot near Dulles airport
Wednesday—Fly Dulles to SFO
Thursday—Breathe, pant
Friday—Scheme, pack
Saturday—Depart SFO to Paris
Sunday—Arrive Paris
Monday—One-day shoot in Paris
Tuesday—Fly Paris to SFO
Today—Breathe, pant, blog

Mastering jetlag is the only way I can get through periods like these. It’s an imperfect science at best

Sky Jockey: Conquering Jetlag Read More »

Write What You Don’t Know

By /

I’ve been a filmmaker and writer for most of my life, but I’ve never written a film. There was no screenplay writing class at Stanford when I was in film school there, for some reason, and I never caught the bug.

Now, however, Julian Hoxter, my colleague in the Cinema Department at San Francisco State University, has published a wonderful book called Write What You Don’t Know: An Accessible Manual for Screenwriters. I can feel my life starting to change.

Write What You Don’t Know Read More »

Townsend 11: Volume 1 Now in More Stores, Volume 2 Due Out Soon

By /

News from Townsend 11, the writing collective I’ve belonged to for years, here in San Francisco:

First: Volume 1 of our new book series, No Fixed Destination: Eleven Stories of Life, Love, Travel, was originally published in July as a Kindle book. But now we have made it available at most e-book stores.

Next: Volume 2 of the series, No Set Boundaries: Eleven Stories of Life, Misadventure, will be published in a few days on the Kindle Store, and through other e-Book outlets a few weeks later.

Townsend 11: Volume 1 Now in More Stores, Volume 2 Due Out Soon Read More »

Brazil: Smooth as Silk

By /

Less than an hour after my last post (Brazil: Some Days the Bear Eats You), my friend The Dave Mitchell responded on my Facebook page: “Nice, Bill. Easy days are completely forgettable.” Isn’t that the truth?

“But,” added The Dave, a freelance gaffer/key grip, “I’m available if you’ve got any coming up.” If only!

After our tough time at the tower, the next couple of days shooting in Brazil were smooth as silk.

Brazil: Smooth as Silk Read More »

Back to Brazil

By /

On my first trip to Brazil in 1993, I was shooting for a Japanese high-tech company. We arrived in Sao Paulo and went out to scout at our client’s manufacturing facility nearby. We met with the general manager of the company, a Brazilian who was impressed by this visit from corporate headquarters. “What can I

Back to Brazil Read More »

My Writing Group Has Published a Book of Stories—No Fixed Destination, by Townsend 11

By /

For the past few weeks, I’ve been working with other authors in my writing group, passing through final stages of publication for our first e-Book … Drumroll !! …

Available NOW at Amazon’s Kindle Store:

No Fixed Destination: Eleven Stories of Life, Love, Travel

This collection of 11 personal essays, memoirs, and true stories from Townsend 11, a group of award-winning writers, takes readers on emotional journeys and adventures from California to Croatia to China and back, Ethiopia to Egypt, England to New England, and Hawaii to Hot Springs, Arkansas.

My Writing Group Has Published a Book of Stories—No Fixed Destination, by Townsend 11 Read More »

Handy-Looky: Shooting from the Hip … and the Shoulder

By /

Shooting handheld for documentary, commercial, musical, and even dramatic films can challenge, vex, frustrate, exhaust, and exhilarate—often all at once. Handholding the camera lets you improvise angles quickly, stick the camera in places a tripod can’t reach, or float with innovative, flowing moves difficult to duplicate from a dolly. And if you’re tall like me, throwing the camera on your shoulder enables you to see over crowds at news events, rallies, shows, and parties.

The first movies were filmed from tripods and later from rolling dollies.

Handy-Looky: Shooting from the Hip … and the Shoulder Read More »

Paris When It Sizzles

By /

“Pinch me,” says Susan as we cross the Seine from the Left Bank to face the sun-drenched Gothic towers of Notre Dame. “I can’t believe we’re back here.”

We peel off jackets and join the throngs of tourists and worshippers outside the Cathedral. Despite the lyrics of the Cole Porter song — “I love Paris in the summer, when it sizzles” — it’s only April, but the temperature this afternoon sizzles near 80.

We’ve visited Paris at earlier stages of our lives …

Paris When It Sizzles Read More »

Blowing Up the Catcher: Buster Posey and the Clean Play Club

By /

The collision was so violent that, for a moment, I feared he was dead, then paralyzed. But Giants catcher Buster Posey started to move almost immediately, clawing the dirt in agony, and I knew he had sustained a devastating injury.

Posey was hit on a play at the plate in last week’s second game between the Giants and Florida Marlins, when substitute Scott Cousins, who had entered a tie game as a pinchhitter in the 12th inning, attempted to score after tagging up at 3rd base on a shallow fly ball out.

Blowing Up the Catcher: Buster Posey and the Clean Play Club Read More »

NAB 2011: Greening the Film Business—LED Fresnel Lights

By /

It’s a vicious cycle in the film business. We use scads of energy to light our sets, usually trying to make them look as natural as possible, then we use scads of energy to cool them. If we can reduce the power required for lighting, we can save money two ways.

In the olden days of production, when I was starting out in the business, most movie lights (except for big arc lights) had tungsten or quartz lamps.

NAB 2011: Greening the Film Business—LED Fresnel Lights Read More »

NAB 2011: Mr. Brown’s Marvelous Machine: Garrett Brown & Steadicam

By /

A young boy rides his Big Wheels tricycle around the empty lobby of an old resort hotel as the camera follows close behind, low to the ground, the sound grating and tense as the trike runs noisily onto the hardwood floor, then over a rug, then onto the floor, then over a rug, around and around.

The boy’s father, haunted and demented by months of isolation, chases his wife with a knife, up and down a circular staircase. Later he chases an apparition through an eerily lit hedge maze in the snow.

NAB 2011: Mr. Brown’s Marvelous Machine: Garrett Brown & Steadicam Read More »

NAB 2011: Innovision

By /

At a climactic moment in a rock video, the camera moves in on the guitar strings, bringing us closer and closer to the fingers of the player, then impossibly close, then we slip past the strings and enter the hole in the guitar.

In a movie about Las Vegas, the camera looks up from deep in the well of the craps table as the dice come tumbling by us, very close, and very large. In a gangster movie, the camera sits on the velvet surface of a pool table and looks up at the rack of balls, just as the cue ball comes crashing in.

In a road chase, the camera speeds along, crazily close to the ground, then passes unscathed under three vehicles. In another scene in a bowling alley, the camera hurtles down the lane toward an inevitable collision with the pins.

NAB 2011: Innovision Read More »

NAB 2011: Digital Cinema Camera Shootout

By /

During the recent NAB Show in Las Vegas, I attended a panel discussion and screening of a series of tests called the Single Chip Camera Evaluation. The SCCE shootout, produced by an independent, ad hoc group named Image Quality Geeks, compared 11 single-chip digital cinema cameras, along with two 35mm film emulsions. These extensive tests, designed for “apples-to-apples” comparisons, provided a comprehensive look at the following cameras.

NAB 2011: Digital Cinema Camera Shootout Read More »

NAB 2011: Cameras

By /

Manufacturers showed tons of new gear of all kinds at this month’s NAB Show in Las Vegas. Because my time at the show was limited, I focused primarily on new professional digital video cameras.

Some of these cameras were also involved in a 12-camera shootout — the Single Chip Camera Evaluation, a screening presented by Image Quality Geeks. More on this soon. Over the next two posts, I’ll preview a number of impressive new cameras introduced at or just before this NAB.

NAB 2011: Cameras Read More »

NAB 2011: Back to Vegas

By /

The first time I went to the NAB Show, I wore camouflage fatigues and marched through hippies. I was working the show for Ampex, the television equipment company that had invented videotape. During the 80s, they were buying Sony professional video camera parts, assembling them in Ampex factories, and branding and marketing them as their

NAB 2011: Back to Vegas Read More »

NAB 2011: Show Preview

By /

The National Association of Broadcasters annual trade show takes place next week at the Las Vegas Convention Center.

I’ll be there for a couple of days to check out the new cameras, among other things, and I’ll post several reports from there.

Here are some announced/rumored items I’ll be taking a close look at:

A prototype for the next (and most advanced) addition to Sony’s Cine Alta line, a new camera for digital cinematography with a sensor greater than 4K. Jon Fauer, in an article in Film and Digital Times, says the new camera will shoot from 1-72 fps in normal mode, and 1-120 fps in High Frame Rate mode.

NAB 2011: Show Preview Read More »

Sony F3 Camcorder Preview

By /

Yesterday afternoon I attended a preview of the new Sony Super 35 PMW-F3 camera, presented by Snader & Associates and hosted by Videofax at their new rental facility in San Francisco. Reps from Sony and from Snader, who sells the camera, were on hand to present the camera’s features and specs, and three F3s with

Sony F3 Camcorder Preview Read More »

Scroll to Top