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Production • Tech • APPs

Production APPtitude: Sun Seeker

This is the first in a series of posts about useful iPhone apps for film and video production.

In the past few months, during my shoots overseas, I have been confronted by producers, crew members, drivers, waiters, and ordinary folks on the street, using iPhones for texting, tweeting, gaming, emailing, translating, navigating, Facebooking, computing currencies, listening to music, showing photos, shooting video, sometimes even talking on the phone … and exploring new apps created to help people like us, who work in film and video production.

Apple products have long been popular with folks in the visual media. In the US, I am used to seeing Macs and iPhones on production crews; sometimes nearly everyone has one! But recently, while traveling in the Netherlands, Switzerland, Germany, Brazil, and, to some extent, China, it’s been hard to miss the remarkable proliferation of the iPhone.

This surge in iPhone sales abroad was not unexpected. Early last year, Apple projected an enormous increase in its iPhone exports. Yet in September, when I found three Swiss cabbies in a row with their personal iPhones mounted on their taxis’ dashboards, I was still taken by surprise.

I have long admired (and sometimes . . . CONTINUE READING: Production APPtitude: Sun Seeker

ROVING CAMERA BLOG • Travel • Production

Eerie Times at USP

In Brazil, our story was based in Ribeirão Preto, (pronounced something like “HEE-bay-roan PRAY-toe,” though all Brazilians laughed at our attempts to say it) a city of a half million, three or four hours inland from São Paulo. Our final shoot was at the local campus of the Universidade de São Paulo. In search of an interview background that was neither a glass hotel nor a slum, our local production assistant Erica took us to the university.

The Ribeirão Preto campus of “OOS-pee,” as USP is known, is spread out, tree-covered, and rural. Driving through campus, Randy chose a spot in front of a blue house with some mottled light coming through the trees in the background, then Erica helped Lori and our Brazilian producer Marcello Bartz get permission to shoot there the next day.

<<See also: Brazil: My First iPhone Video, Continental Drift>>

We pulled up in several trucks and proceeded to unload our cases and set up our gear. A few neighbors stopped by to see what was going on, and after a while a truck came speeding up and three burly guys quickly emerged. They looked around uncertainly, taking in the scene, . . . CONTINUE READING: Eerie Times at USP

ROVING CAMERA BLOG • Travel • Production

Continental Drift

I’m hunkering down at home right now after a three-week trip through Europe and South America to shoot a global corporate medical film. Our route took four of us – and 13 cases of video and audio gear – drifting through the Netherlands, Switzerland, Germany, and Brazil. Plus one day shooting here in the San Francisco Bay Area last Monday.

Tomorrow, Sunday, we go to China to finish shooting the project. It will be the fourth continent on this shoot for DIT Jim Rolin and me. Director David Rathod and producer Anne Sandkuhler joined us for the travel legs in Europe. After shooting at three locations in the US, director Randy Field and producer Lori Wright then joined Jim and me for the long schlep down to Brazil.

<<See also Eerie Times at USP, Brazil: My First iPhone Video>>

And what a schlep it was! Nine flights in 19 days: SFO–>Frankfurt–>Amsterdam–>Geneva–>Hamburg–>Geneva–>Washington Dulles–>Sao Paulo–>JFK–>SFO. Nearly 24,000 miles, a real butt-burner. Somewhere over the Atlantic between Switzerland and coastal US, I surpassed 50,000 miles on United this year, qualifying me for coveted Premier Executive status in their mileage program. Only mileage whores like me care about such things. I’m . . . CONTINUE READING: Continental Drift